

I think it wouldn't be an exaggeration to call him a genius. It was his first drama and he did a really good job. When it comes to directing it would be a huge mistake to forget about Yoo Ho Jin. Not to mention Cha Tae Hyun - it is undoubtedly difficult to do both acting and directing, yet he managed to do exceptionally well in both. Special mention to Lee Han Seo who made this drama even more approachable. He was the real scene stealer in this drama. Hong Kyung Min managed to act so good it had me wondered why did he not pursue his acting career.

I want to praise Cha Eun Woo too - he did really good. Yoon Shi Yoon did great in portraying his characters and changes in him. I really liked Deokhwa in this drama as well as his character's granddaughter. All those cameos were so good! For those who watch 1n2d they were even more enjoyable. Even the ending was good and it's hard for me to like the ending as well.Ĭasting was the best thing that could have ever happened to this drama. I like how they made us think it is going to be predictable but they did something totally new and refreshing. I love how they did so many parodies and at the same time managed to make more dramatic plot. Especially good was bonding between Lee Sun Tae and his granddaughter Mal Sook. And the relations between them! Something beautiful. Characters were well developed, even side characters had their story that explained their actions and behaviour. There was not even a moment I got bored, I barely skipped anything in this drama. The most important thing is it was totally enjoyable. It was funny, it balanced well between cliche and innovation. It started off pretty weak but quickly got better.

It definitely was The Best Hit.įirst of all there is a plotline. Light but at the same time quite complicated. Bob Marley & The Wailers – ‘No Woman, No Cry’īob at his lilting best, looking back at his impoverished past in the ghettos of Trench Town in Jamaica.Rewatch Value 8.0 This was one of the best drama I have ever watched, if not the best. Imploring his girlfriend not to cry with the promise that things were going to get better, its hypnotic charm make it one of the best-loved of Bob’s catalogue. Casting herself as tragic heroine Cathy from Emily Bronte’s gothic romance, perhaps the reason so few pop songs are based on classic novels is that they’d have to live up to this.ĩ5 Siouxsie And The Banshees – ‘Hong Kong Garden’ Serene, pristine and deranged, nobody should underestimate quite how shocking it was when the teenaged Bush emerged to the world with this haunting piano melodrama of her own creation. Siouxsie Sioux proved herself as far more than a scenester from punk’s notorious ‘Bromley Contingent’. This oriental-flavoured day-glo riot proved she had the personality and musical muscle to forge a career that would outlast and outgrow the scene that she came from. It was very quickly acknowledged as a classic. The zippy and infectious signature tune from the definitive female force of the punk rock scene. Ari Up makes a simple, direct, but biting attack on the perceived attitudes to femininity, at once offering up a delicious and mischievous alternative.Īs the 70s hit their stride, Cologne’s krautrock pioneers evolved into more expressive and extreme forms of jazz-inflected sound. Their third record ‘Tago Mago’ is described as their most extreme, but this has stood the test of time as one their most beloved. Although rather less catchy than the Ash track of the same name. Musically a more mature strain of post-punk, but not lacking in his signature bile, here was a lacerating attack on what he saw as his exploitation at the hands of Malcolm McLaren.ĩ1 The Beatles – ‘The Long And Winding Road’ In which the former Johnny Rotten did the unthinkable at the time and reinvented himself in an outfit just as compelling as the Sex Pistols.
#The hit list youtube skin#
The Beatles nudge into the ’70s by the skin of their career, and we find McCartney at his most McCartneyish for the band’s swansong. Looking back on one the most thrilling journeys in music history, Macca sounds sentimental and weatherbeaten, a man finding peace, and the song is one of the warmest and fuzziest of the decade. Originally a B-side from Jamaican artist Prince Buster, ‘One Step Beyond’ was turned into a hit by Madness, who as pioneers of the British ska scene, remade it as a giddy runaround jam.

It remains an effervescent festival favourite to this day.
